J E N N E
The sashiko stitching continues. I keep most all scraps from other sewing projects and last week went through them and cut many into the same size to do some stitching experiments with. I am really interested in playing with the colors of the threads vs the stitching and the combinations and possibly layers that will come. This is another big experiment with a vague idea of what I am aiming for but letting the material dictate what will be done with it. Yesterday Alisa sent me a picture of a poster on the wall at her school that says "Detach from outcome, commit to process." I am really feeling that right now, freely experimenting with the materials I have and letting the process dictate where I go with it and what to try next.
A L I S A
This is what my puppet looks like assembled. All the pieces that were in the last Progress Report all went into making Rocky the Goat Puppet. This is a final project for year three of my formal spinning education. I really loved how it turned out and loved the process of making it. The story of Rocky goes like this… When I moved back to Canada from the USA about 6 years ago, I was working at a yarn mill and totally getting into spinning and knowing how the textile and fibre arts work from the basics up. The mill was on a working farm that raised Angora goats for Mohair. Rocky was the first animal I ever saw being born and I really took a shine to him. I spent a lot of time with him over the next few years and the owners of the mill/farm gifted me all his fleeces. I have wanted to make this totem since then. The puppet is made out of his fleece that I was present for the shearing of and processed myself. Rocky started this amazing change in me to stay curious about materials and where things come from and to know about fibre animals and what goes into making yarn.
